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About me


I'm Brendan Loy, a 26-year-old graduate of USC and Notre Dame now living and working in Knoxville, Tennessee. My wife Becky and I are brand-new parents of a beautiful baby girl, born on New Year's Eve.

I'm a big-time sports fan, a politics, media & law junkie, an astronomy buff, a weather nerd, an Apple aficionado, a Lord of the Rings and Harry Potter fanatic, and an all-around dork. My blog is best-known for its coverage of Hurricane Katrina, but I blog about anything and everything that interests me.

You can contact me at irishtrojan [at] gmail.com, or donate to my "tip jar" by clicking the link below:

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Music

Fortune's Favour

By Brendan Loy

The new Great Big Sea album is available on iTunes. Woohoo!

UPDATE: So far, so good; I've listened to tracks 1-4 and 7. "Banks of Newfoundland" is, as I thought it might be, quite dissimilar from (and probably more authentic than!) the Irish Rovers' version; the lyrics are roughly the same, but they're set to a completely different tune. It doesn't have the same hairy-chested, belt-it-out feel as the Rovers' version (or, for that matter, as some other GBS songs like "General Taylor," "Captain Kidd," "The Old Black Rum," etc.), but I still like it, I think. I'll have to listen to it a bunch more times to decide for sure. :)

One song I definitely like is track #3, "England," which contains the lyric that gave rise to the album's title, "Fortune's Favour." It's a very neat little ditty about the first English settlers who came to Newfoundland (or "the New Found Land," as the island was originally known, and as the song initially describes it). "England" has good lyrics, beautiful harmonies, and some nice little nuanced touches in the way the song evolves and the way the boys sing it.

P.S. Appropriately enough -- and, come to think of it, this is probably intentional on Great Big Sea's part -- today is the anniversary of the date in 1497 when John Cabot landed in Newfoundland*, becoming the first European to since the Vikings to reach North America's shores. (Hat tip: My Adversaria.)

*Probably. Various other locations, including Cape Breton Island, Nova Scotia, claim he landed there rather than in Newfoundland. But it was most likely in Newfoundland, at Cape Bonavista.

Holy stone and sand

By Brendan Loy

Great Big Sea's new album, Fortune's Favour, debuts tomorrow -- and I just noticed that Track 7 is "Banks of Newfoundland," which happens to be the first Newfoundland song that I ever learned! The chorus, as it's sung by the Irish Rovers (iTunes link here), goes like this:

We'll rub her 'round and scrub her 'round
With holy stone and sand,
And we'll say farewell to the Virgin Rocks
On the Banks of Newfoundland!

My father had (and presumably still has) a vinyl record of the 1969 Irish Rovers album The Life of the Rover, which had "Banks of Newfoundland" on it, and he would play it frequently on our old record player when I was a little kid. It was one of my favorites; I used to love singing that chorus when I was, oh, maybe 5 years old. :) I was also a big fan of the end of the final verse -- "And to the docks, they come in flocks / The pretty girls will stand / Sayin' it's snugger with me than it is at sea / On the banks of Newfoundland!" -- though of course I had no idea what those lyrics meant. ;) In the words of Grandpa Loomer, albeit referring to a different bawdy Irish tune that I famously sung at an even earlier age: "What kind of song is that for a three-year-old?" Heh.

Anyway, as is typical for traditional Irish/Maritime music, there are various different versions of the lyrics floating around, and probably different tunes, too. The snippet of an early Great Big Sea demo of "Banks of Newfoundland" that's played in Canada.com Webisode 11, Part 1, from 5:32 to 6:20, certainly sounds very different from the version I know. (Hat tip: Between The Rock And A Hard Place.) So I really don't know what Track 7 of Fortune's Favour will sound like. But I can't wait to find out! The prospect of hearing my favorite band belt out the hearty chorus of a song that I've known for almost my entire life, a childhood favorite, makes me even more excited than I already was for tomorrow's big debut.

I'll definitely be using a portion of one of my Father's Day presents from Becky -- an iTunes gift certificate -- to buy the album tomorrow. Great Big Sea rocks!

P.S. After the jump, I've posted the lyrics of the Irish Rovers' version of "Banks of Newfoundland," since I couldn't find that particular lyrical rendition online anywhere.

Continue reading "Holy stone and sand" »

Wrong state

By Brendan Loy



WDVX just played a song called "Satan Lives In Arkansas." But that isn't right. She moved to New York! :)

Fighting fire with fire

By Brendan Loy

A California blogger fights back against the noise pollution emanating from a nearby Cadillac Escalade that was blasting vulgar rap music "loud enough to be heard a block away" ... by cranking up his own car stereo system and blasting the Clancy Brothers.

I ramped up the volume to "11" and let the boys rip into their version of "Whiskey in the Jar" from nigh-on 45 years ago. ... Maybe it was the line about producing my pistol, and then producing my rapier, but after a couple of minutes, my problem was solved. No more boom-boom from said Escalade.

LOL!

Noonan on Wright

By Brendan Loy

Peggy Noonan compares Jeremiah Wright to the Wolfe Tones. A must-read.

(Hat tip: Andrew Sullivan.)

Respect the world champion SoCal VoCals!

By Brendan Loy

Back in 2002, I griped in print that the Daily Trojan was ignoring the SoCal VoCals' newsworthy march to musical glory. (For the uninitiated, the VoCals are USC's premier a capella group, and I am a proud ex-groupie.) That year, alas, they fell just short of the International Championship of Collegiate A Capella finals. But six years and a world championship later, the VoCals are finally getting some front-page DT love.

Here's the article. Money quote: "It was absolutely beyond any of our wildest dreams," baritone Adam Hutchison said of the group's performance Saturday in New York City, which earned them the ICCA title (and a live appearance on the Today show Sunday morning).

The DT notes that the VoCals' winning set included Michael Buble's "Feeling Good," Singers Unlimited's "All the Things You Are" and Queen's "Somebody to Love." The A Capella Blog described it as "probably the best competition set I've ever seen," and the judges seemed to agree, giving it a whopping 454 out of a possible 465 points. For comparison purposes, the ICCA champs in 2007, 2006 and 2005 won with scores of 431, 422 and 372, respectively. Moreover, 454 points is the second-highest score of this entire ICCA season -- second only to the VoCals' own near-perfect 463 performing the same set in the semifinals. The 437 earned by Florida State University All-Night Yahtzee at the South semifinal is a distant third. (All-Night Yahtzee finished a very distant second at Saturday's final, with a 384.)

No cameras were allowed in the Lincoln Center for Saturday's final, but YouTube has video of the entire Western Regional semifinal, including the VoCals' 463-point set. So here, without further ado, are the three songs that brought home an ICCA world championship to USC:

Fight on, VoCals!

P.S. And speaking of "Fight on," here, in the interest of school spirit, is a video from this past fall of the VoCals performing their signature medley of the Alma Mater, Tusk, and Fight On, with a SoCal Spellout and some "UCLA SUCKS" thrown in good measure:

SoCal VoCals are world champs!!

By Brendan Loy

The International Championship of Collegiate A Capella was tonight in New York City. I don't know yet how the SoCal VoCals did. I assume The A Cappella Blog will have results up soon. Go VoCals!!!

UPDATE: THE SOCAL VOCALS WON!!! WOOOHOOO!!!!!!!!

Congratulations, VoCals!!!

UPDATE 2: The A Capella Blog writes: "The SoCal VoCals' winning set gave them perhaps the best-deserved victory I've ever seen at an ICCA show. This is the sort of set that needs to be seen to be believed and I am proud to have been a witness to something truly fantastic. Believe the hype -- this was probably the best competition set I've ever seen."

SoCal VoCals update

By Brendan Loy

The field is set for the International Championship of Collegiate A Cappella in New York City next Saturday! The event will be held at the Lincoln Center's Avery Fisher Hall, the 2,738-seat venue where the New York Philharmonic plays.

As I mentioned previously, the USC SoCal VoCals advanced to the finals for the first time ever by earning the West Region championship on March 15. At the time I wrote that, however, the identities of most of their competitors were still to be determined.

Well, the last semifinal was held six days ago, so now the full field is known. The VoCals will compete against Oxford University Out of the Blue (Western Europe champion), Northwestern University Purple Haze (Midwest champion), Florida State University All-Night Yahtzee (South champion), New York University N'Harmonics (Northeast champion) and Ithaca College Ithacappella (Mid-Atlantic champion).

You hear that, Kristy? USC vs. Ithaca! Oh, it's ON!!

Fight on, Trojans! Beat the Seminoles, Wildcats, Violets, Bombers and... um... Oxons?

P.S. Here's the official ICCA website, including a link to buy tickets. I wish I could go! Alas, I don't think a random trip to New York City is in the cards. But if any of y'all are in the area, I'd recommend it. I'm sure it'll be an amazing show.

P.P.S. Newly discovered site: The A Cappella Blog. Cool.

Brennan on the Moor

By Brendan Loy

I linked yesterday to a YouTube clip of Tommy Makem and Liam Clancy singing "Rambles of Spring." That's just one of a whole new treasure trove of Clancy/Makem video clips that have been recently uploaded to YouTube. You might recall that I posted a bunch of clips last August, after Makem's death, but a lot of new videos have appeared since then. Here's another one, a real oldie but goodie, showing a much younger foursome singing "Brennan on the Moor" in 1963:

That, incidentally, is -- like the Kingston Trio's "M.T.A." -- one of my favorite songs to sing to Loyette. Hey, just because I'm a lawyer doesn't mean I can't teach my daughter a "good, healthy disrespect for law!" Hee hee. Actually, I just like singing it to her because it's fun, bouncy and repetitive. No doubt I'll regret this when she gets a little older and, just like I did when I was little, starts bursting out in bawdy Irish songs at inappropriate moments. :) History repeats itself in the new generation...

Rambles of spring

By Brendan Loy

Ever since I saw (and photographed) the above-pictured robin en route home from work on March 6, I've been meaning to put together a "springtime in Knoxville" photo gallery for the blog. There are a ton of beautiful flowers, trees and other lovely signs of spring in this part of the world. Unfortunately, I haven't had time to make the album yet, but I hope to do so soon.

I'll definitely have a lot more material to work with after today, as Becky, Loyette and I ventured out to the Crescent Bend Tulip Time festival this afternoon, then walked three miles along the riverfront, snapping photos all the way. Here's one pic from the tulip gardens:

Very pretty. It was an absolutely gorgeous day here, and it looks like a very nice week ahead. It all puts me in mind of the song "Rambles of Spring," one of my favorite Makem & Clancy numbers -- of which, conveniently enough, I found a YouTube clip recently. Enjoy!

UPDATE: Glenn Reynolds has some nice pictures from yesterday as well.

Hillary's 3 a.m. problem

By Brendan Loy

Mark Steyn:

Jeepers, will all business during this Clinton administration be transacted at 3 a.m.? Is it some union-negotiated flex-time deal? "Home foreclosures mounting"? We'd better wake the president. There are now so many foreclosures the banks can no longer foreclose on everyone they need to foreclose on during normal banking hours. "The First National Bank of Dead Skunk, Maine, has begun issuing midnight foreclosure notices, Madam President."

"OK, nuke 'em."

"Er, well, maybe this can wait till the regular afternoon meeting."

It's 3 a.m., and your children are safe and asleep. But there's a phone ringing in the White House. And ringing and ringing and ringing. Kim Jong-il No Dong missiles are heading for every major West Coast city, but the president's not picking up because at 2:57 a.m. the Secretary for Soccer Moms called to alert her to the growing crisis caused by the lack of federally mandated children's bicycling helmets.

Heh. (Hat tip: InstaPundit.)

P.S. On a more serious note, it looks like Hillary has been "misspeaking" again:

Over the last five weeks, Senator Hillary Rodham Clinton of New York has featured in her campaign stump speeches the story of a health care horror: an uninsured pregnant woman who lost her baby and died herself after being denied care by an Ohio hospital because she could not come up with a $100 fee. ...

[H]ospital administrators said Friday that Ms. Bachtel was under the care of an obstetrics practice affiliated with the hospital, that she was never refused treatment and that she was, in fact, insured.

“We implore the Clinton campaign to immediately desist from repeating this story,” said Rick Castrop, chief executive officer of the O’Bleness Health System.

The idea of Hillary using the (false) tale of someone dying because they couldn't pay a $100 fee reminds me a bit of that wonderful old campaign ballad, The M.T.A. Song. But instead of "Fight the fare increase, vote for George O'Brien!" I guess now it's "Fight the premium increase, vote for Hillary Clinton!" Heh. Hillary descends further and further into self-parody...

P.P.S. Video of the M.T.A. Song:

I sing that song to Loyette all the time. :)

P.P.P.S. For those not familiar with the song, they actually did a lyrical switcheroo in the final verse in the above clip. You can view the real lyrics here. It's supposed to be "Fight the fare increase, vote for George O'Brien! And get Charlie off the M.T.A.! Or else he'll never return..."

SHA girl needs your votes!

By Brendan Loy

Since I was being mean to Buffalo yesterday, I figured I should do something nice for a Buffalo native this morning. And, conveniently enough, one of Becky's high-school classmates needs my, and your, help!

Sara Crowther (née Alpsan) is competing in the "Be a Milk Rock Star with Rascal Flatts" contest. She uploaded a video of herself singing "God Bless the Broken Road," and it's currently ranked 14th out of 219 entries, based on viewers' votes. That's up from like 85th or something when I first checked! You can help keep that momentum ("Crow-mentum"?) going by clicking the above link and voting for Sara!

Sara doesn't need to finish first -- she just needs to crack the Top 10 by April 15. Then Rascal Flatts and MilkRocks.com will pick the winner from the Top 10 entries. Whoever they choose will, according to the contest rules,  "win a trip for them, and three friends, to see the band live and perform their song entry onstage with Rascal Flatts; a Gibson Les Paul Studio Guitar autographed by Rascal Flatts; their own backstage dressing room, a meet and greet with the band; VIP accommodations to and from the concert on the Gibson Guitar Tour Bus and a webcast featuring their performance aired for 30 days on MilkRocks.com."

So anyway... vote for Sara! Here's her video:

Captain Ed on "real" Irish music

By Brendan Loy

Conservative blogger Ed Morrissey (the guy who beat me for "Blogger of the Year" in 2005) and the Michelle Malkin-founded site Hot Air are usually good sources for right-wing political commentary -- not Irish music nerdery. And yet Irish music nerdery is exactly what I found there, to my great delight, thanks to my Google News Alert for "'barra macneils' | 'liam clancy' | 'tommy makem' | 'clancy brothers'." Here what Ed wrote on the topic, they day before St. Paddy's Day*:

“Danny Boy” is a beautiful, haunting song … the first thousand times you hear it. After that, it gets pretty tiresome, and even more so to those in the Old Country who tire of supplying renditions of it for American tourists. Irish music consists of much more than “the pipes, the pipes are calling” and “I’ll take you home again, Kathleen” — which owe more to America than Ireland. ...

The Irish tolerate Danny Boy and the other “Irish songs” of America, but only just. When my uncle visited Ireland almost 30 years ago, he asked one publican where he could hear authentic Irish music. The Irishman asked, “Oh, you mean like Danny Boy and I’ll Take You Home Again, Kathleen?” “Yes,” my uncle said. “Nearest place I know is Boston,” came the reply. ...

If you want to celebrate St. Patrick’s Day with some authentic Irish music, try listening to The Chieftains, the Clancy Brothers and Tommy Makem, Lunasa, The Corrs, or even U2.

Hear, hear! (Morrissey later added the Pogues and The Dubliners to his list. I'd add the Wolfe Tones, the Irish Rovers and, for a rather different but still related style, Flogging Molly. And then you can branch out into Irish-inspired Atlantic Canadian bands like Great Big Sea, the Barra MacNeils, etc.)

I have to make a confession, though. For all my nodding in agreement with Captain Ed and making fun of the "sort of maudlin stuff that Bing Crosby sang," yesterday I totally cued up "When Irish Eyes Are Smiling" on my iPod and, in unison with ol' Bing, sang it to my shamrock-clad baby girl, in honor of St. Paddy's Day. I feel so... dirty. :) But hey: she does have really beautiful Irish eyes. And when they're smiling, they'll steal your heart away!

Hey, sometimes it's okay to be maudlin. :)

(Relevant background for those who haven't read it: "Tommy Makem, 1932-2007 … and what he means to me." More here.)

*Or the day after St. Paddy's Day, depending on your perspective.

SoCal VoCals win West Region title!

By Brendan Loy

For the first time ever, the USC SoCal VoCals are going to collegiate a capella's version of the Final Four: the ICCA International Finals in New York City!

Over the weekend, the VoCals won the ICCA semifinal -- basically the Western regional championship -- at Marin Center for the Performing Arts in San Rafael, California, beating out the University of Oregon Divisi, the UCLA ScatterTones (ha ha! take that, Mike Tran!), defending national champion BYU Noteworthy, BYU Vocal Point, the Cal-Berkeley Golden Overtones, Mt. San Antonio College Fermata Nowhere, and These Guys from Fullerton and Citrus colleges. (Full results here; scroll down to "ICCA West Region.")

The VoCals' previous best finish at the ICCA semis was second place in 2001, and they've finished third four times: in 2000, 2002, 2003, and 2006. Long-time readers might recall that I trailed the VoCals for a photojournalism project -- producing, among others, this photo -- during their 2002 third-place ICCA appearance, and later wrote about it in a Daily Trojan opinion article analogizing the competition to March Madness, with which it always roughly coincides.

Anyway, on April 19, this year's crop of SoCal VoCals will compete for the international championship of collegiate a capella (that's what ICCA stands for, natch) against the Northwestern University Purple Haze (Midwest Region champs), Oxford University Out of the Blue (Western Europe champs), and as-yet undetermined champions from the South, Northeast and Mid-Atlantic regions.

Fight on, SoCal VoCals!! Beat those other schools!! Wooo!!

You know you live in the South when...

By Brendan Loy

...every time somebody comes to visit you, you take them to a country/bluegrass concert.

When Adrienne came to visit us in August, we went to the Bluegrass in the Smokies festival in Sevierville. Aside from meeting the WDVX chicken, the big revelation of that concert was the wonderful Bradley Walker, a singer with a voice so rich that it seems like only a matter of time before Nashville picks him up (if he wants to go "mainstream," that is). We bought his album Highway of Dreams, which you can get on iTunes here; my favorite tracks are Should Have Took That Train and Price of Admission.

Then, when Andrew and Bea came to visit us in October, we went to the Foothills Fall Festival in Maryville (which, if you didn't know, is pronounced "MUHR-vul"). No new musical revelations there, as the acts were big-name commercial artists (Trent Tomlinson, Big & Rich, etc.), but the concert was memorable -- and not just for Andrew's and my shock and awe as we constantly hit "refresh" on our cell phones to get the latest football scores on the evening that #1 LSU and #2 Cal both lost to unranked opponents. :) The most memorable moments of the concert were the thunderous ovation that the crowd gave to a group of soldiers in Iraq during a live satellite-phone conversation with their commander (nobody does patriotism like the South), and the moment when Tomlinson introduced his cover of Ring of Fire with the utterly unprovoked statement, "If you don't like Johnny Cash, you can kiss my ass!!"

Well, the country/bluegrass trend continued this past weekend with my parents' visit. I took them to Sunday afternoon's special weekend edition of the WDVX Blue Plate Special, the wonderful daily event in downtown Knoxville that I often attend on my lunch breaks. This particular show featured Larry Cordle and Lonesome Standard Time, and man -- they were good! Here's a clip, though it doesn't do them justice:

I knew in advance that they were at least decent, based on their current hit, '67 Chevy Malibu, which I'd heard several times on the radio. But I was definitely impressed by the consistent quality of their songs at the concert. Great performers, too! And if you've heard the song Murder on Music Row by George Strait and Alan Jackson, well, Cordle wrote it, and he and his band performed it Sunday. Great stuff. Anyway, I once again came away with a new album, Took Down And Put Up (again, iTunes link here). I haven't had a chance to listen to it all the way through yet, but I think my favorite song from that album that they played at the concert was Hole In the Ground. Then again, I have a soft spot for mining songs, for whatever reason. (I blame the Barra MacNeils.)

In any event, tomorrow I'll again take visitors to a bluegrass concert (well, half bluegrass, anyway), as I'm meeting up with Becky's parents for the Blue Plate Special featuring a "twin bill" of the bluegrass band Balsam Range and the jazz band Silver Lining. I don't know much about them, but I'm sure it'll be worthwhile; the Blue Plate Specials are almost always good, and quite often great.

The biggest musical revelation of recent weeks for me, though, came not from a concert I attended, but from a song I heard on the radio -- on WDVX, the same station that puts on these Blue Plate Specials (not to mention that chicken). The song is Wicked Twisted Road by the Texas alt-country band Reckless Kelly. It's an absolutely haunting tune; when WDVX played it during my afternoon commute, I actually made a point of pulling out my cell phone at a stoplight and texting to their studio e-mail address, "GREAT song!" A few days later, I found it on iTunes, and I've had it stuck in my head ever since. You get it from iTunes here; it's Track 1, the title track. I haven't bought the whole album, but I may have to, if that song is any indication of its quality.

Fair use, anyone?

By Brendan Loy

The RIAA, apparently determined to make itself into a self-caricature, is now arguing in court that it's illegal to copy CDs you legally bought onto your computer for your own personal use.

P.S. Moe Lane: "I guess that I won't be buying that iPod, then." (Hat tip: InstaPundit.)

Julie wins!

By Brendan Loy

The shameless blog plugs worked! Julie Moffitt, the former SoCal VoCals phenom, is now a "FameCast Fenom" and winner of a cool $10,000! She won first place in the Internet competition's Singer/Songwriter category, thanks to a furious rally in the final day of voting. (She was in third place as late as Wednesday evening; the polls closed at noon Thursday.) That rally is probably due mostly to Julie's own network of fans, but hey, you never know -- maybe it was support from the Irish Trojan crowd that pushed her over the top. :)

There's been no reaction yet on Julie's blog or her Facebook group -- probably because she's been busy celebrating, and deservedly so -- but I'm sure there will be eventually. Anyway, congrats, Julie!! (Hat tip: Mike.)

UPDATE: Julie -- who, incidentally, was also named the "Critics' Choice," as seen in this video -- just sent an e-mail to her fans titled "WE DID IT!!!" The full thing is reproduced after the jump, but here's the money quote:

Whether I had won or not, this has been a life-changing experience.  It’s like the VH1 "Best Week Ever" – I won $10,000, was chosen as an industry favorite in my genre, and I got a puppy!!  I’m really excited for next year – more touring, a new album (HOORAY!) and time to take advantage of all these new industry connections I’ve been making.  :)  My 10-year high school reunion is about a year and a half away…is that enough time to get a Top 10 single on the radio?

Like I said, the whole thing is after the jump.

P.S. By the way, Julie's 2006 debut album is available on iTunes. And one of its songs has already gotten a positive review in comments on this post!

P.P.S. I say "debut album," but of course, Julie is also prominently featured on the SoCal VoCals' best album to date IMHO, V3: Previously Unreleased, including in particular Track #12, "Total Eclipse of the Heart," her signature solo.

Continue reading "Julie wins!" »

One last plug for Julie

By Brendan Loy

Former SoCal VoCal Julie Moffitt (previous posts here and here) has risen to the #2 spot in the FameCast Singer-Songwriter Finals, which puts her achingly close to the $10,000 prize -- but she still needs your support! In an e-mail to her fans last night, Julie wrote that she "think[s] an extra 15 or 20 votes will put me over the top at this point." The polls close at noon today. So, with apologies for the excessive shilling :) ... one last time ... vote for Julie!

(You must be registered to vote. Registration is free. One vote is allowed per account per day, so if you voted yesterday, you can vote again today.)

U.S. House honors Tommy Makem

By Brendan Loy

The U.S. House of Representatives unanimously passed a resolution yesterday honoring Tommy Makem and declaring him "one of the greatest Irish-Americans of the 20th century." The resolution was co-sponsored by, among others, John Larson of my parents' district, John Larson -- pandering to the Hartford Irish :) -- and Joe Courtney, also of Connecticut.

As regular readers will recall, I posted a ton of stuff about Makem when he passed away back in August. You can read of all of it here, in reverse chronological order. If you only want to read one post, make it this one: "Tommy Makem, 1932-2007 … and what he means to me."

Anyway, after the jump, the full text of H. Res. 768 honoring Makem.

P.S. As you'll notice if you read the resolution, it is now an officially recognized fact, according to the U.S. House of Representatives, that when Tommy Makem split up with the Clancy Brothers, he "left the band amicably." Heh. Not so sure about that, but hey, if the House says it, it must be true! ;)

P.P.S. I meant to post these back in August, but never got around to it: two videos from New Hampshire news media covering Makem's funeral.

UPDATE: Video clips from the House discussion on the resolution can be found here and here.

Continue reading "U.S. House honors Tommy Makem" »

Julie needs you!

By Brendan Loy

Julie Moffitt, of SoCal VoCals/Total Eclipse of the Heart fame (previous post here), still needs your help! It's crunch time in the FameCast Singer-Songwriter Finals, and Julie's in the running for the $10,000 prize... but she needs votes. Lots of votes! The polls close at noon EST tomorrow, so now's the time to vote for Julie!

(You must be registered to vote. Registration is free. One vote is allowed per account per day.)

Here, by the way, is what Rolling Stone reviewer Gary Graff had to say about Julie's performances on the linked page:

The smartest thing you do here is give us a real sense of range with two very different songs played, no less, on two different instruments. It's great to hear a piano song, and "Bound to Fail" is an exceptional song -- even though there are things you can, and should, do to it when it's recorded, like speeding it up a bit, particularly in the bridge. But it's a song that will definitely benefit from a full band arrangement, and your vocal here is well nuanced, mixing pathos and playfulness. "Oh Hell" is a lot of fun and lets you sing in a completely different way -- and show some instrumental chops, too, since it's hard to do those barre chords on a 12-string acoustic. You are ready for prime time, so let's hope others cotton on to that real soon.

Also, she has a new puppy. Which means she needs that $10,000 for dog food. So get out the vote already! :)

Vote for Julie!

By Brendan Loy

Julie Moffitt, the former SoCal VoCals singer (most memorably the amazing soloist on Total Eclipse of the Heart for the better part of four years), now has a budding independent music career -- here's her MySpace page -- and last weekend, she was in Austin, Texas for the finals of FameCast, an online reality-show music competition thingy that awards $10,000 to the winner.

Julie writes all about the FameCast experience on her blog. She says that after two years of keeping herself grounded even as the gigs and the money have gotten better, her experience with a "total rock star lifestyle," courtesy of FameCast, has her "hooked." Heh.

Anyway, Julie is one of five finalists in the singer-songwriter category, and now it's up to the online audience to decide whether she wins the big bucks. So, for those willing to help a Trojan out (or just interested in listening to some good music), here's the link where you can watch Julie's performance and vote for her! (You have to register before you can vote. It's free.)

I particularly like the second song she does; it shows off her ability to really let loose and belt out the music with the same sexy, sultry edge that made her version of Total Eclipse such a highlight of the VoCals' repertoire when we were at 'SC.

The photo at the top of this post, by the way, is one that I took in 2002 when I was tailing the VoCals around the Bay Area for a photojournalism assignment that eventually also spawned a Daily Trojan article. Julie loved the picture and asked me to make her a copy, but I promptly lost the negatives, and only found them again just recently while going through old photo boxes. So, I have now finally sent her that copy she asked for, a mere five years late. ;)

UPDATE: Julie's very excited to finally have that photo. She even blogged about it: "There was one photo in particular that I fell in love with, but somewhere along the way, it was lost, and though Brendan and I spent months trying to find it, eventually I had to give up and hope that one day I could recreate the shot. Until a few minutes ago, when I received an email containing [it] ... Thank you Brendan!!" You're welcome, Julie!

P.S. Julie isn't the only SoCal VoCal from that era who is enjoying musical success. My other favorite VoCal alum, Bryce Ryness, is in a band, and last year he played Roger in the national tour of Rent. Oh yeah, and he's married to fellow ex-VoCal Meredith.

How my birthday became unexpectedly awesome

By Brendan Loy

At 10:45 PM last night, I was sitting on an MTA bus in Nashville, brooding silently. My "worst birthday ever" was winding down with a whimper. Oh, I'd had fun counting down to midnight with Kristy the night before (after which she serenaded me with an interpretive dance to the strains of Journey's "Don't Stop Believin'," played on my iTunes), and of course, I'd gotten my free taco from Taco Bell. But mostly, my 26th birthday had been drudgery: a six-hour mandatory CLE class, a pair of Southwest flights that had gotten me from Denver to Nashville, and now a couple of lonely bus rides. At 10:45, I was en route to the Greyhound station, from which I would depart for Knoxville. It looked like I'd be spending the final 75 minutes of my birthday travelling to, and then waiting around in, a grungy Greyhound station. (My bus wasn't scheduled to leave until 12:45 AM.) I was cranky, I missed Becky, and I was just generally annoyed about the overall suckiness of my birthday.

When the bus dropped me off at around 11:00, things got even worse, because now I was in the heart of Nashville at 5th and Broadway -- which, for those who don't know, is the home of a whole bunch of great honky-tonk bars. The sound of live music was wafting out into the street, tempting and torturing me.

I would love, I thought, to spend the last hour of my birthday sitting in a bar, listening to some live country music. And with almost two hours until my bus was scheduled to leave, and the bus station only three blocks away, I had time to do just that. But it was (I thought) logistically impossible: I was dragging around a suitcase and a garment bag and hauling a heavy backpack with, among other things, my laptop inside it. With all that luggage, I'd barely have fit through the door of one of the bars. And it's not like I could leave my luggage somewhere. I was traveling alone, so I had nobody to watch my stuff. So I turned away from the awesomeness of Nashville nightlife and resigned myself to the fact that the last hour of my birthday would be just as crappy as the first 23 hours. Up the hill toward the Greyhound station I walked, still brooding.

But then! When I got to the station at around 11:10, I beheld a miracle: it has lockers!!! Okay, maybe not a "miracle," but a possibility I hadn't considered, for sure. Anyway, yeah, the station has lockers -- big ones -- so I didn't hesitate: I picked up my bus ticket at will call, then stuffed all of my bags into a locker, secured it, and headed right back out into the night, back to 5th & Broadway, to finish off my birthday in style.

It was about 11:25 when I got back there, so I figured I had about 35 minutes at the bars before I needed to head back to the station. Naturally, I resolved to make the most of it. So I started out at Second Fiddle, where I listened to a couple of songs; then I headed to Layla's Bluegrass Inn for a couple more songs; then to Tootsies for a couple more (including "Happy Birthday," although they were singing it to an attractive young lady on the dance floor, not to me); and finally (or so I thought) to Legends Corner for yet a couple more. Totally awesome.

When the band at Legends finished playing "Sweet Home Alabama," which I love, and I saw that it was 11:58, I figured that was my cue to leave. So I tipped the band and headed out, crossing the street with every intention of turning away and trudging back up to the Greyhound station. But then I glanced into the window of the Full Moon Saloon, and found myself drawn inexorably inside by the gravitational pull of the comely female fiddle player in the snug blue jeans. (It was the fiddle that drew me in, of course; I love fiddles. What did you think I meant?) Unfortunately, that band wrapped up their set literally 20 or 30 seconds after I walked in the door, so I headed back out onto the street again... but now my appetite was whetted for one more bar, one more band, one or two more songs. Hey, it's only your 26th birthday once!

It was midnight now, but I reckoned I could afford another 5 or 10 minutes. So I slipped into The Wheel next door. The band there played a couple of nice songs, and then at around 12:07, busted out Johnny Cash's "Ring of Fire." Now that is a thoroughly proper way to end a session of honky-tonk bar-hopping, not to mention a birthday (albeit a few minutes late). I hooted as they started playing it, sang along for the chorus, then walked back out the door (applauding as I went) after they finished. I turned left and headed back toward the Greyhound station. It was 12:11 AM. I got back to the station at 12:19, retrieved my stuff from the locker, and made my 12:45 bus with plenty of time to spare. I even got a good seat.

And that, ladies and gentlemen, is how a crappy birthday turns awesome at (literally) the eleventh hour. In 45 minutes, I went to six bars, listened to six bands, and totally redeemed my birthday. Then I slept like a baby on the bus ride home. And I'm half-consciously humming "Ring of Fire" as I write this.

I love Nashville. :)

WDVX draws a crowd

By Brendan Loy



Blue Plate Special hosting Grammy winners Bela Fleck and the Flecktones. I guess I shouldn't be surprised that there's a huge crowd to see such a big act perform for free. I should have gotten here sooner!

Pavarotti dies

By Brendan Loy

Luciano Pavarotti is dead. He was 71.

Austin City Limits

By Leanna Loomer

A very dear friend contacted me recently about Austin City Limits.  I've always been a fan of Austin City Limits so I was interested.  And, to my amazement, it turns out her two sons, in an indie band called The Frontier Brothers, are competing for a "new artist" slot on a future broadcast of Austin City Limits.  I knew they were a serious working band (out of Fort Worth), but this news about this opportunity, and especially about them in relation to this opportunity, was new to me.  I passed the word on to friends who are music fans and to a few friends who trust me when I ask a favor of them.  And only one friend misconstrued this situation as something like American Idol. Austin City Limits is a long-running PBS program presenting well-respected, professional musicians.  And it seems it is offering an opportunity to working (but not nationally-known) bands to be introduced in a new band slot. This is so NOT American Idol.

I now go to the site each day (one vote per day being allowed) and I vote for this band.  I urge you all to check this out at the URL I am putting below.  (Actually, this URL will specifically take you to The Frontier Brothers on the band ballot, but it also gives you the page, The Sound and the Jury.)  You can sample their music (you can sample any of the bands' music) and if you like their music, you can cast a vote for them (or for another band there).  One reason this particularly appeals to me is that this to me is so far superior to American Idol.  No ridicule, no comedy, no Not-Ready-For-Primetime bands. The Frontier Brothers is a serious working band making their bones in venues all around Texas and the Southeast, and this is a serious opportunity for them.  For all these bands.  And that matters.   

Check it (and them) out:  http://acl.mp3.com/feature/soundandjury/?band=THE-FRONTIER-BROTHERS.

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